Evolution of Pop Art

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The Evolution of Pop Art

by

Marius Janavicius

Critical and Cultural Studies

Caroline Archer

August 2011

During the 1960s Art Deco and Art Nouveau already were already established movements, which did not have the labels of “contemporary” styles. People were looking for something new, and shocking. Reactions towards established moral standards, social tensions which included race relations, sexual mores, women’s rights gave birth to total reassessment of old values.

It was born twice: first in England and then again, independently, in New York. During the early 1950s, several London artists transformed the artifacts and mass media imagery of American popular culture into critical, satirical art works. They were responding to a flood of American postwar export of consumer goods, movies, magazines, comics and advertising.

However, Pop Art became popular movement in United States. After the Second World War came the birth of the consumer society. The American way of life, with its emphasis on growth, quantity, consumption and fun, dominated western values. However, underneath many of the same old dark forces raged on: war - Berlin, Korea, Vietnam; racial unrest; the political intolerance of the early 1950s. Among the young, new values awoke, and protest movements sprang up. Pop art mostly opposed abstractionism, represented by Jackson Pollock. It was said that Pollock’s work terminated all connections with visible reality. Young artists blamed him for making art a mean of amusement for higher ranks of society.

The biggest influence on Pop Art had Dada movement:

Dada is the groundwork to abstract art and sound poetry, a starting point for performance art, a prelude to postmodernism, an influence on pop art, a celebration of anti-art to be later embraced for anarcho-political uses in the 1960s and the movement that lay the foundation for…...

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